Real war documentary4/6/2023 In 1946 a second secret mission was dispatched to Berlin. The autopsy also reported that Hitler, as had been rumoured, had only one testicle.īut Stalin remained suspicious. A part of the skull was absent, presumably blown away by Hitler's suicide shot, but what remained of his jaw coincided with his dental records, a fact reportedly confirmed when the Russians showed his surviving dental work to the captured assistants of Hitler's dentist. As the Soviet Army secured control of Berlin in May 1945, Russian forensic specialists under the command of the counterintelligence unit Smersh (an acronym for "Death to Spies") dug up what was presumed to be the dictator's body outside the bunker and performed a post-mortem examination behind closed doors. The result is a mystery reopened and, for conspiracy theorists the tantalising possibility that Hitler did not die in the bunker.įor decades after the war the fate of Hitler's corpse was shrouded in secrecy. The only positive physical proof that Hitler had shot himself had suddenly been rendered worthless. According to witnesses, the bodies of Hitler and Braun had been wrapped in blankets and carried to the garden just outside the Berlin bunker, placed in a bomb crater, doused with petrol and set ablaze.īut the skull fragment the Russians dug up outside the Führerbunker in 1946 could never have belonged to Hitler. "We were very lucky to get a reading, despite the limited amount of genetic information," she said. She then replicated this through a process known as molecular copying to provide enough material for analysis. To her surprise, a small amount of viable DNA was extracted. "We used the same routines and controls that would have been used in a crime lab," she said. At the university's centre for applied genetics, Linda Strausbaugh closed her lab for three days to work exclusively on the Hitler project. The samples were then flown back to Connecticut. "I had the reference photos the Soviets took of the sofa in 1945 and I was seeing the exact same stains on the fragments of wood and fabric in front of me, so I knew I was working with the real thing." He was allowed only one hour with the Hitler trove, during which time he applied cotton swabs and took DNA samples. "And the sutures where the skull plates come together seemed to correspond to someone under 40." In April 1945 Hitler turned 56.īellantoni had flown to Moscow to inspect the gruesome Hitler trophies at the State Archive, which included the skull fragment as well as bloodstains from the bunker sofa on which Hitler and Braun were believed to have committed suicide. "The bone seemed very thin male bone tends to be more robust," he said. The results, broadcast in the US by a History Channel documentary, Hitler's Escape, astonished scientists.Īccording to Connecticut archaeologist and bone specialist Nick Bellantoni, it was clear from the outset that something was amiss. DNA analyses performed on the bone, now held by the Russian State Archive in Moscow, have been processed at the genetics lab of the University of Connecticut. American researchers claim to have demonstrated that the skull fragment, secretly preserved for decades by Soviet intelligence, belonged to a woman under 40, whose identity is unknown. In the wake of new revelations, the histories of Hitler's death may need to be rewritten – and left open-ended. We are delighted to be working with such an exceptional filmmaker on this ground-breaking production and visionary resource that will enable all secondary school students in the country to see the film.Until now. Jenny Waldman, Director of 14-18 NOW, added: “When Peter and I first met, he said he wanted to create a piece of film that would bring the experience of the First World War to life for young people today, which is precisely our focus in this last season of 14-18 NOW. I wanted to find a way to bring new life to the stories of ordinary people living through extraordinary times.” Jackson said: “I’ve always been fascinated by the First World War due to my own family history and the Centenary felt like a unique opportunity to make a personal contribution to the commemoration. The doc has been produced by Jackson’s New Zealand production company WingNut Films and is exec produced by House Productions’ Tessa Ross. The film, which has been created in association with 14-18 Now, the UK’s official arts programme for the First World War centenary, will see Jackson hand-colourize and 3D digitize never-seen before footage, restored with modern production techniques.
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